Bacchae (Paul Woodruff Translation) Euripides
Publisher: Hackett Publishing Company, Inc.

David the Invincible, Commentary on Aristotle's Prior analytics: critical Old Armenian text with an English translation, introduction and notes. Christian Kopff, 1982; as The Bacchae, translated by Henry Hart Milman, 1865; also translated by Margaret Kinmont Tennant, 1926; D.W. Electra, Phoenician women, Bacchae, Iphigenia at Aulis. Michael Walton, in Plays One, 1988; John Buller, 1992; Robert Emmet Meagher, 1995; Richard Seaford, 1996; Nicholas Rudall, 1996; Paul Woodruff, 1998; Herbert Golder, 2001; Reginald Gibbons, 2001. Making Meaning:: Constructing Multimodal Perspectives of Language, Literacy, and Learning through Arts-based Early Childhood Education (Educating the Young Child) Marilyn Narey 2008 ISBN10:0387875379;ISBN13:9780387875378. Feb 18, 2009 - The New School's version was translated by noted classicist Paul Woodruff and closely followed the original text. Mar 12, 2012 - Canada and the Middle East: In Theory and Practice (Studies in International Governance) Paul Heinbecker, Bessma Momani 2007 ISBN10:1554580242;ISBN13:9781554580248;ISBN13:9781435628458 .. Nov 19, 2013 - Consequences, indeed—which is to say punishment, the moral meaning and ramifications of the crime at the heart of her book—are something that Sebold treats as weakly as she does the crime itself. Lucas, 1930; Philip Vellacott, in The 1981; M. Oct 11, 2010 - Jaclyn Dudek spoke of the theatrical benefits of splitting the role of Dinoysus in Euripides' Bacchae among three actors, each playing a different aspect of the god. Sandys, 1880; also edited by E.R. Indianapolis; Cambridge: Hackett Publishing Company, 2011. David Jacobson started with the minute differences among Paul Woodruff presented two differently staged versions of the murder scene in Sophocles' Electra to experiment with how the chorus may or may not direct the audience how to feel about the stage events. At the end of the When you watch Antigone or Bacchae, you're always haunted by the possibility that things just might have turned out differently, because the characters seem to be independent subjects—seem, however briefly, to be in control of their own choices. May 1, 2011 - Luschnig, Cecelia Eaton and Paul Woodruff (trans.).